There is a significant difference between the plots of RotTR and its predecessors. Lara is searching for a divine source, a pattern that her father had in a frenzy before his death. Lara's latest adventure opens in Siberia, and - apart from her initial stay in Syria - she stays there. They are all still present, but take significantly less time than 15 hours or more. There are less slow QTE series, less awkward conversations, fewer mini-boss fights. It's not that Tomb Rider's mistakes have been eliminated, but they have been dramatically reduced.
These layouts have a level of art, but they work within the framework of established interactions. There are still plenty of set-piece shows left, but these fast-paced action segments trust you to be able to read visual clues to the environment and react using appropriate controls. Since then, Rise of the Tomb Rider has remained largely at the level of constant interaction. The opener is disappointing, but it ended quickly.
Repeating the section, I hit the prompt, climbed a few feet, and saw another cut scene in which Lara falls but is fine. At one point during a climbing tutorial full of cut scenes, I remembered a hint, fell and died. All of a sudden, I'm getting flashbacks of the 2013 Tomb Rider reboot and its endless, set-piece-heavy introduction. It all starts with Lara walking slowly through the snow, my only need is to catch W as the game plays around me. The first few minutes of Rise of the Tomb Rider bothered me.
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